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Theatre
Home Song by Cassiopeia Berkeley-Agyepong – review
Home Song is an interactive and immersive musical for babies aged 6- 18 months....
Fences by August Wilson – review
Fences is one of those plays that has become a household name, and rightly so. It’s...
Ballet Black at 25 – review
Marking its 25th anniversary with a double bill, Ballet Black has provided a platform...
Lessons From a 19-Year-Old Richard III
In this excerpt from a seasoned Shakespeare teacher's new book, he recounts his...
Lincoln Center Theater Launches Helen Gurley Brown Theater...
The newly launched lab supported by the Helen Gurley Brown Foundation will support...
£10 tickets to see Alleyne Dance – Far From Home
A hard hitting, atmospheric, abstract work exploring immigration and humanity. Multi-award-winning...
Rent the Musical – review
How do you measure a revival? The song gives one answer, a year in the life measured...
The Writer-Director Bonds Behind ‘School Girls’ and ‘ANON’
How Jocelyn Bioh and Whitney White glowed up a colorism comedy for Broadway, while...
Leadership Changes at American Conservatory Theater, Lookingglass,...
A roundup of comings and goings at the top of U.S. theatre institutions.
Thornton Wilder Estate to Launch ‘Long Christmas Dinner’...
This new annual festival of performances of Wilder’s play‘The Long Christmas Dinner’...
Thornton Wilder Estate to Launch ‘The Long Christmas Dinner...
This new annual festival of performances of Wilder’s play‘The Long Christmas Dinner’...
Presidential Crowd Work in ‘FDR’s Very Happy Hour’
Regan Linton reimagines Roosevelt as an openly disabled role model in an immersive...
Boy Blue goes full circle with five eras of cypher through...
Boy Blue: 25 Stories is a new performance work created by Michael ‘Mikey J’ Asante...
Josette Bushell-Mingo appointed Chair of British Youth...
Award-winning actor and director, Josette Bushell-Mingo OBE has been appointed Chair...
Access £15 tickets to see Theresa Ikoko’s GIRLS at the...
GIRLS by Theresa Ikoko Young Vic 22 Oct – 21 Nov 2026 “They leave a trail of fire...
The Cocoa Butter Club Until 17 Oct 2026
The Cocoa Butter Club turn The Yard into a film set and Black cinema comes alive...
Kristina and Sadé Alleyne – interview
The multi-award-winning company presents Far From Home at Sadler’s Wells East on...
Nadia Hopkins’s ‘Humane Traps’ Takes 2026 Relentless Award
A quietly absurdist play about death and rodent infestation is the Boston-born dramatist’s...
Access £10 ticket offer to see Baby in previews at Brixton...
A provocative play about one woman’s desire to survive even though she hasn’t got...
The Immortal Sisterhood LIVE – review
The Immortal Sisterhood LIVE is an ambitious and visually striking production. Its...
Blood of My Blood by Joy Nesbitt – review
When faced with a potentially life-changing decision and unable to work out what...
Parallel Lives Lead to the Stage in ‘Good Time Charlie’
Ryan J Haddad's first full ensemble play at the Public tells the bittersweet intergenerational...
Parallel Lives Lead to the Stage ‘Good Time Charlie’
Ryan J Haddad's first full ensemble play at the Public tells the bittersweet intergenerational...
New Work or Old Subscribers? It’s a False Choice
A nonprofit turnaround specialist makes an evidence-based case for spinning off...
Royal Court Theatre and Nica Burns announce full cast for...
The Royal Court Theatre and Nica Burns announce the full cast and creative team...
Network of Ensemble Theaters Brings NETWeek to the Bay
A week of gatherings in Oakland and San Francisco will bring together artists, organizers,...
Novid Parsi on ‘The Life You Gave Me’: If Only
The author of this intriguing meta-play, the full script of which appears in our...
The London premiere, direct from a sell-out Northern tour...
Following an award-winning Northern tour, Paul Herzberg’s acclaimed new play, The...
Ming Cho Lee Award, Terrence McNally Award, and More
A roundup of prizes, fellowships, and other recognitions.
La MaMa and Spiderwoman Theater Present Global Indigenous...
In celebration of Spiderwoman Theater’s 50th anniversary, this global festival brings...
If Subscriptions Are Dying, Are We the Ones Killing Them?
Declining full season subscriptions look like a shift in what patrons want. Look...
The Standard of Living – review
How do you make a play about an economist and his theories entertaining? The Standard...
What Else Is New: Bhangra, True Crime, Childhood Memories
This month's roundup of world premieres from coast to coast (and beyond).
Revada Arts Center: A New Artistic Home in Southwest D.C.
Theater Alliance, IN Series, and 4EYE Film Center will lead and share a new arts...
The Atlanta Way
Despite challenges with funding and perception, theatre in Georgia's capital city...
L.A.’s Runway Project
The state of play(s) in Southern California, where the theatre refuses to die.
Julius Caesar Remixed Presented by Intermission Youth 11...
Julius Caesar Remixed: a Shakespearean tale of ambition, betrayal and conspiracy....
How To Keep Warm In Winter 14-25 Oct 2026
A Caribbean love story set against the adversity of 1970s London. Following Jamaican...
Table 17 – review
I could tell even before Table 17 began that this was not going to be a conventional...
Dance Umbrella – Mamela Nyamza 8-10 Oct 2026
Move through the power of the pack in this highly anticipated new work South African...
£20 TICKETS TO SEE BALLET BLACK AT 25 DOUBLE BILL
Celebrate 25 years of bold choreography, unforgettable stories and impactful change....
Cinderella 14 Nov 2026 – 3 Jan 2027
Cinderella’s down on her luck. But can a chance encounter, a little fairy magic...
‘Hedda Gabler’ in Huichang: Collaboration With a Sense...
One of 3 artists-in-residence at a newish theatre festival recounts the experience...
Madeline Appiah – interview
Headlong’s new production, the first major revival in over a decade, will be directed...
Leadership Changes at American Players Theatre, Magic Theatre,...
A roundup of comings and goings at the top of U.S. theatre institutions.
A God Comes Crashing Through: Rehearsing ‘Oedipus’ in North...
The adaptor/director of a new take on Sophocles's tragic trilogy reflects on the...
The American Nonprofit Theatre Movement Must Be Reimagined
The industry must not look away from a moment that is begging for it to change,...
Catarina and the Beauty of Killing Fascists – review
A house built around a cork oak, the tree growing straight through the middle, as...
High Street by Nida Vohra – review
The Bridge House Theatre is a pub venue that I have never frequented, even though...
Back to School with Devising at White Bird Productions
Professional artists create intergenerational, collaborative theatre alongside kids...
For Duncan Sheik: Requiescat
The composer's longtime collaborator remembers his colleague's mischief and melancholy,...
Rural Tenderness in ‘Horsegirl & Cowdaddy’
DJ Hills takes inspiration from their own upbringing in rural Appalachia in this...
D.C. Resilience and Resistance in Mosaic Theater’s Reflection...
The Washington theatre commissioned 4 artists to share creative writing, performance,...
What If We Valued Theatre Like We Value Parks?
Imagine if we made arts and culture as free and accessible—and as beautiful—as places...
O Wendy! My Wendy!
Though it’s hardly her finest work, a new production of ‘An American Daughter’ offers...
Offscript Top 10: Kimberly Belflower & Branden Jacobs-Jenkins...
On this annual special episode, we announce the Top 10 Most-Produced Plays and Top...
6 Designers You Should Know
This edition features designers of all kinds working throughout the United States.
Alvin Ailey American Dance Theater – New Works – review
Alvin Ailey’s New Works opened last night with a press night that was both exhilarating...
Cyril Nri – interview
Cyril Nri plays Willy Loman. Cyril is a BAFTA-nominated actor known for his work...
Our Eyes Looking for God – review
I’d never been to the Pit at the Barbican before, so I had no idea what to expect....
‘John Proctor Is the Villain’ and August Wilson Top This...
Kimberly Belflower’s popular drama will be the most-produced play in the 2026-27...
People to Watch: Mfoniso Udofia
The playwright behind the Ufot Family Cycle chats about making theatre more community-oriented...
Pressure – review
Danny Bailey’s debut play Pressure featured as part of Brixton House’s fourth edition...
Tartuffe (Remixed) – review
How do you take a play written more than 350 years ago and make it feel fresh, relevant...
Alicia Graf Mack – interview
Alvin Ailey American Dance Theater returns under the leadership of new Artistic...
Fugue Off: Brian Cox Plays a Well-Tempered Bach in ‘The...
A chat with the acclaimed actor and his wife, Nicole Ansari-Cox, onstage now in...
An Evening of Kwagh-Hir: Recreating the Tales by Moonlight
The Tiv people of Nigeria have a storytelling tradition called kwagh-alom, where...
Horton Foote Prize, Champion Playwriting Fellowship, MENA...
A roundup of prizes, fellowships, and other recognitions.
When Misha Met Ronnie: Dallas Theater Center’s ‘Reykjavik86’
Opening Dallas Theater Center's season of all new work is a play about President...
Know a Theatre: Arizona Theatre Matters
Working from a foundation of accessibility, this organization is beaming their art...
When Ronnie Met Misha: Dallas Theater Center’s ‘Reykjavik86’
Opening Dallas Theater Center's season of all new work is a play about President...
NYC’s Theatre Row Announces New Studio Residency
4 companies will be selected to be residents at the multi-theatre complex for a...
NEW PLAY ABOUT BLACK BOYHOOD, FRIENDSHIP AND FREEDOM TO...
Steven Kavuma and the Brit Boys, in partnership with Kickers and in association...