Nue Sam Finds Her Own Sound With Soulful Maskandi Project uNongqayizivele
South African singer-songwriter Nue Sam steps confidently into her own with the release of uNongqayizivele, a soulful six-track project that brings together the traditions of Maskandi and the freedom of contemporary Afro-Pop. The project presents an artist who is not trying to separate her cultural roots from modern musical influences. Instead, Nue Sam creates space … The post Nue Sam Finds Her Own Sound With Soulful Maskandi Project uNongqayizivele appeared first on SA Music Magazine.
South African singer-songwriter Nue Sam steps confidently into her own with the release of uNongqayizivele, a soulful six-track project that brings together the traditions of Maskandi and the freedom of contemporary Afro-Pop. The project presents an artist who is not trying to separate her cultural roots from modern musical influences. Instead, Nue Sam creates space for both worlds to exist naturally within the same body of work. The result is a project shaped by traditional guitar-led textures, storytelling and contemporary production. With uNongqayizivele, she begins to establish a musical identity that feels personal, distinctive and closely connected to where she comes from.
The title uNongqayizivele speaks directly to the creative direction of the project, with the word referring to someone or something that is unique or one of a kind. That idea gives the six-track release a clear sense of identity because the music reflects Nue Sam’s desire to create something that belongs to her. Rather than relying solely on familiar sounds, she combines elements from different musical spaces to build a sound that can stand on its own. The project allows her to explore her voice and songwriting while maintaining a strong connection to Maskandi. This balance makes the title more than a name for the project because it reflects the individuality at the centre of Nue Sam’s artistic approach.
Maskandi provides an important foundation throughout uNongqayizivele, particularly through the use of traditional guitar-led textures and a strong emphasis on storytelling. These elements connect the project to a musical tradition with a long history of using songs to communicate personal experiences, observations and stories. Nue Sam draws from that foundation while introducing production choices that give the music a contemporary feel. The result allows the songs to retain a sense of familiarity for listeners who understand the traditions of Maskandi while remaining accessible to audiences who are drawn to modern Afro-Pop. This approach gives the project a sense of continuity without making it feel tied entirely to the past.
The meeting between Maskandi and contemporary Afro-Pop is one of the defining qualities of uNongqayizivele. Nue Sam uses the freedom of modern Afro-Pop to expand the possibilities of the traditional elements that shape her sound. The music can move between generations because it recognises the importance of cultural identity while also embracing the sounds of the present. Rather than treating traditional and contemporary music as separate categories, the project brings them together as complementary parts of the same creative expression. This gives Nue Sam room to develop a sound that can speak to listeners with different musical backgrounds.
The six-track format also gives uNongqayizivele a focused quality. Instead of stretching the project across a large number of songs, Nue Sam presents a concise body of work that allows its central identity to remain clear. Each track contributes to the wider picture of an artist exploring her sound and defining her place within contemporary South African music. The project can therefore be experienced as a complete statement rather than simply a collection of individual songs. Its compact nature also gives listeners an opportunity to engage closely with the themes, production and vocal approach that shape Nue Sam’s artistic direction.
Storytelling remains an important part of the project’s appeal because it connects Nue Sam’s songwriting to the traditions that influence her music. Maskandi has long placed emphasis on using music to communicate experiences and narratives, and uNongqayizivele carries that spirit into a contemporary setting. Nue Sam does not have to abandon the storytelling qualities of the genre to explore Afro-Pop production. Instead, she uses modern sounds to create another setting in which those stories can be heard. This approach gives the project an emotional quality while reinforcing its connection to South African musical traditions.
The project also represents an important moment in Nue Sam’s development as a singer-songwriter. Stepping into her own means establishing a creative identity that listeners can recognise beyond a single release. With uNongqayizivele, she has an opportunity to introduce audiences to the combination of influences that shape her music. Her use of Maskandi-inspired guitar work alongside contemporary production gives her a foundation from which she can continue experimenting. The project therefore feels like both a statement of who she is now and an indication of where her music could develop next.
For listeners, uNongqayizivele offers a meeting point between tradition and modernity without treating either side as secondary. The guitar-led textures give the project a connection to its cultural roots, while the contemporary Afro-Pop elements create space for movement and experimentation. That combination can appeal to listeners who appreciate the storytelling traditions of Maskandi as well as those who follow the evolution of modern African pop music. Nue Sam’s approach allows the project to move between these audiences without losing its central identity. The music ultimately remains grounded in a sense of place while giving itself room to explore new sounds.
uNongqayizivele marks an important step for Nue Sam as she establishes herself through a sound that brings together Maskandi heritage and contemporary Afro-Pop freedom. The six-track project places storytelling, guitar-led textures and modern production within the same musical space, creating a release that feels connected to tradition while looking towards the future. Its title reflects the individuality at the heart of the project and the artist’s intention to carve out a space that feels distinctly hers. By allowing different generations and musical influences to meet naturally, Nue Sam demonstrates how cultural roots can remain central while an artist continues to experiment and grow. With uNongqayizivele, she presents a clear introduction to her artistic identity and begins a journey defined by her own voice.
The post Nue Sam Finds Her Own Sound With Soulful Maskandi Project uNongqayizivele appeared first on SA Music Magazine.