‘Nota Does Not Own Any of My Musical Rights’: DJ Sliqe Responds To Claims

The post ‘Nota Does Not Own Any of My Musical Rights’: DJ Sliqe Responds To Claims appeared first on SA Hip Hop Mag.

‘Nota Does Not Own Any of My Musical Rights’: DJ Sliqe Responds to Claims. The South African hip-hop industry is no stranger to heated debates, public disagreements, and competing narratives. This week, award-winning producer DJ Sliqe found himself at the centre of one such conversation after responding to recent claims made by music executive Nhlamulo “Nota” Baloyi.

During an interview on Tuks FM, Sliqe addressed the matter with a level-headed approach that has since earned praise from fans and industry observers alike. Rather than turning the situation into a public feud, the producer chose to acknowledge Baloyi’s role in his journey while firmly clarifying where their professional relationship begins and ends.

Speaking candidly, Sliqe described Nota as one of the people who played a significant role in helping launch his career. He openly credited the outspoken music executive for creating opportunities and providing guidance during the early stages of his rise in the industry.

“I acknowledge Nota as my OG,” Sliqe said, expressing appreciation for the mentorship and support he received during his formative years.

However, the producer was equally clear when addressing speculation surrounding ownership of his music catalog and rights.

“Nota does not own any of my musical rights,” Sliqe stated.

The comment quickly became the focal point of the discussion, putting to rest any confusion regarding publishing rights, masters, or ownership of his body of work. While appreciative of the support he received, Sliqe made it clear that mentorship should not be confused with ownership.

The exchange follows recent remarks from Baloyi, who has long maintained a visible presence within South Africa’s music industry through his work with SoFet Urbantainment and various high-profile artist relationships. His comments about Sliqe sparked debate online, with many fans questioning the nature of their business relationship.

Rather than escalating tensions, Sliqe’s response highlighted an often-overlooked reality within the music business. Mentors, managers, and industry gatekeepers may play a crucial role in opening doors, but that does not automatically translate into ownership of an artist’s creative output.

The conversation has also reignited broader discussions about the importance of transparent contracts, intellectual property rights, and proper credit within South Africa’s growing music economy. As local artists continue to gain international recognition, clarity around ownership and creative control has become increasingly important.

Fans have largely applauded Sliqe’s handling of the situation, praising his ability to balance respect with professionalism. Many viewed his response as an example of maturity, noting that he acknowledged Baloyi’s contribution without compromising his independence.

For now, Sliqe appears determined to keep his focus where it has always been: on the music. While the debate surrounding the claims may continue online, the producer’s message was simple and unmistakable. Gratitude and ownership can coexist, but they are not the same thing.

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